A Word 30.10.2015 Donna Szőke / Cloud / Satellite

As some of you may have noticed, the radio shows are a bit more sporadic, hah, than when I was on the prairies: that’s just the way things roll these days, as I’m finding myself occupied by my writing (two pieces are in the current issue of The Sound, one on a previous guest Anna Szaflarski’s work It’s a Man’s Job and another about Bill Burns’ show at Rodman, and I’ll be talking to Bill for a future A Word Niagara) and by my job. However, I am keeping up with putting out conversations of note, and this one is definitely one of those.

Donna Szőke has two exhibitions up right now: Cloud at Rodman Hall and Satellite at the VISA Gallery. We talk about some of the ideas that formed the works as well as the directions the work drove my thoughts and some other gallery goers I spoke with, and you have a chance to hear Donna speak about her works on Thursday, November 12th, at Rodman.

You can listen to us here.

The image I’ve posted below is of her piece Decoy which sits invitingly atop a mantle in one of Rodman’s elaborate rooms) which both enthralls and disgusts me, in person. Look but don’t touch, when you see it

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A Word 09.10.2015 Anna Szaflarski and A Man’s Job

This week’s episode of the A Word is, on the surface, a very specific one to St. Catharines, while being a conversation between two people whom have connections to “here” but yet also are not from “here”…

First, let us all enjoy that I’m the NAC Member of the Moment for October, and you can read about that at the preceding link. Much praise to the community here, which has been exceptionally warm and welcoming. Many thanks to NAC and many others here who have made me feel very much at home.

Something else to consider in terms of your visual arts world in STC this Thanksgiving weekend are the plethora of events and exhibitions coming up at Rodman Hall. Here’s some information about Spare Parts,  which Stuart Reid talked about on the show a few week ago, and Donna Szőke’s exhibition which opens this weekend. I’ll be doing some follow up in the next few days to see about having her come on the A Word.

If you pick up this month’s edition of The Sound, you can also see some thoughts of mine on her upcoming show, Bill Burns’ exhibition which opens later this month, and some impressions of Shifting Perspectives. It’s not yet online, so you’ll need to pick up a print copy. When its up, I’ll share them.

But let’s return to Anna Szaflarski’s trio of installation / intervention works being presented through NAC that open this Thanksgiving weekend (a fitting analogy, perhaps, that fits in with the latter part of our conversation about “family” ) titled A Man’s Job. They’re located at NAC (354 St. Paul Street), the NAC Flea Market Gallery (46 Turner Crescent) and at the Golden Pheasant (244 Ontario Street).

Let me steal the words of the gallery :

At each newsbox location poster editions of A Man’s Job by Anna will be available for pick-up. The poster is comprised of a chronological collection of newspaper headlines tracking the relationship between the employees and the auto industry in Niagara that spans over sixty years (1940-2011). As Anna explains,

“I was researching in the library archives for another project, but quickly noticed the frequency of headlines pertaining to GM; unions, lay-offs, which rotated from hopeful to pessimistic with regularity like the wheels of a mill…Together the fluid back and forth begins to lose all meaning; an eventual entropic disintegration.”

You can listen to us here. An image of the poster is below linked to a larger version.

There is also a further piece of writing, that Szaflarski presents as part of her Letters to the Editor series where her writings are paired with another person’s response to the same subject. You can either pick up this at the news boxes too, or read her – and Stephen Remus’ essay – here.

This was very much the basis of many of the points in our talk, and I really enjoyed Stephen’s excellent contribution here, and if you have a sense of the history of this place and its relationship with manufacturing (especially in a familial or more personal way), you will, as well.

You may find me at the Golden Pheasant later on doing research on public reaction to this very interesting example of art in the public realm.

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A Word 24.09.2015 Stuart Reid and Rodman Hall

This week’s episode of the A Word Niagara, coming to you from CFBU 103.7 FM, is a dialogue with Rodman Hall Director / Curator Stuart Reid. This is an enjoyable conversation (I like to see what’s on air as just another segment of the engaging chats we had after Sarindar Dhaliwal’s talk, and after we finished recording this week’s A Word) where we talk about upcoming shows and the unique architecture and history of the site and how that enhances and elaborates what’s presented there – both of my reviews (Magenta, The Sound) of Sarindar Dhaliwal’s excellent exhibition The Radcliffe Line and Other Geographies touched upon this.

Szoke_Decoy Final

We talk about two shows that are opening at Rodman soon and you can listen to us here.

Bill Burns, whose Safety Gear for Small Animals is a favourite of many both within the art world and outside of it, will have an exhibition opening at Rodman the same evening as a solo exhibition by Donna Szoke. The image to the left, Decoy, is from her show. Burns will be presenting Hans-Ulrich Obrist Hear Us, which I think you can tell that both Stuart and I are very much looking forward to seeing…

The project that Stuart talks about, with Camille Turner’s work, is part of the Spare Parts Symposium, and you can learn about that at the preceding link.

Now, if you’re listening to the show / reading this as it goes up, in the week of September 24th, then I’ll also put out that if you catch the next issue of The Sound that comes out in early October, you’ll see some thoughts I have on both the Rodman shows that are upcoming, as well as some thoughts on the show currently in the VISA Gallery at the Marilyn I. Walker School. If you’re reading this on the day I’ve posted, the 25th, go see BABELTECH INDUSTRIES™ presents…THE ASSEMBLY LINE OF BABEL, an exhibit by Eric Schmaltz at NAC tonight. I plan to be there for a little while, later in the evening.

One other thing to mention this weekend in St. Catharines, and that would be Culture Days: everything you need to know about that is here.

 

A Word Niagara 11.09.15 Elizabeth Chitty & Confluence Field Trips

Chitty.header Chitty.screengrabThis week’s episode of the A Word is a conversation between myself and Elizabeth Chitty about her project Confluence Field Trips. This is an ongoing project that will inhabit multiple forms as it progresses from the “walks” to the image / audio contributions to the exhibition.

Elizabeth and I talk about this, and about the ideas that inform it, and as promised, here’s a variety of links that will both provide information that may make you want to get involved and that will help you to do so.

Here’s the page Score, with instructions on how to participate in Confluences, and here’s where you can book a Field Trip, which Elizabeth mentioned on the show. There’s also the Traditional Territory page, for further information. As well, Elizabeth mentioned Richard Pierpoint on the air, and here’s some engaging information about him.

Listen to this week’s episode of the A Word Niagara here.

Since this is going up on a Friday, there’s two other things I want to mention. Firstly, there’s an exhibition that has a reception this Saturday night at NAC, but is up right now for you to see. Just Like A Buggy Whip : New Paintings by Kevin Richardson (the latest thing in obsolescence) is in the front space, and there will be music by Attic Daddy. The show runs until the 18th.

Secondly, Shifting Practices, a Department of Visual Arts Alumni Exhibition, curated by Emma German, is open now and has a reception on the 18th, from 5 – 11 PM. This exhibition is in the Visual Arts Gallery, also listed as 15 Artists’ Common. Shifting Practices  will include work by Sarah Beattie, Candace Couse, Alicia Kuntze, Ben Mosher, Carrie Perreault and Bruce Thompson.
A schedule of artist talks to accompany the exhibition are also posted:
Carrie Perreault & Alicia Kuntze Sept. 21, 3:30pm-4:30pm, Foundation Studio (MW 151), 15 Artists’ Common.
Ben Mosher & Bruce Thompson Sept. 23, 3:30pm-4:30pm, Foundation Studio (MW 151), & site tour, 15 Artists’ Common.
Candace Couse & Sarah Beattie Sept. 25, 3:30pm-4:30pm, Foundation Studio (MW 151), 15 Artists’ Common.
I’ll be checking out that show and perhaps offering some thoughts about it, as well as touching base on some other ideas / concerns that intersect with this exhibition and the larger cultural narrative here.

 

A Word Niagara 04.09.2015

2012043089731202_Sarindar_Dhaliwal-1024x683This week’s episode of The A Word, or as I sometimes call it on air this week, A Word Niagara, is focused on two main sites. Sarindar Dhaliwal’s solo exhibition continues at Rodman Hall, and there’s an upcoming talk by the artist that I mention on the show.

The images to the left are both from The Radcliffe Line & Other Geographies, and I have some words about that show in the current issue of The Sound, but a more in depth piece will be appearing in an upcoming issue of Magenta Magazine as well.

I offer some thoughts and impressions of the show, as well as of Mary Anne Barkhouse’s installation Settlement, outside the gallery.
Dave Gordon’s exhibition just opened at NAC, and I talk a bit about that, as well. Currently, I’m finishing off some thoughts about his show, both in terms of its excellent political timing but also the history of ARCs and the idea of “regionalism” that he spoke of at the opening, and that I talk a bit about on air.

The show can be heard here, and upcoming shows will (hopefully) be conversations with Stuart Reid, the Director / Curator of Rodman Hall and Elizabeth Chitty, whose Confluence Project is already under way.

 

 

 

Goodbye, Saskatoon.

As some of you already know, my tenure in Saskatoon – and the Prairies – is coming to an end.

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This means that my various writings that privilege this place for many publications will also be coming to an end, as my focus on “contested histories” moves elsewhere with me. It also means that the A Word radio show – and the accompanying blog, that in the last few years has been primarily the radio show, an “events calendar” for visual arts in Saskatoon and a bit beyond, and a means to access my writings about this place with other publications – will be “relocating” with me, and be rebooted in a new place. Negotiations for that have already started, and its a very exciting and rewarding endeavour for me.

As you read this, I should add that there’s at least two (or three) other pieces that will not yet see the light of day in publication until I’ve left Saskatoon, so the conversation may continue, briefly, for a little while longer. But my own history has taught me that when I generally leave a place, I don’t return, and have little desire to do so (except for brief visits), and that will be very true here, I suspect.

Ignazio Nighttraveller Gazzola (1998 - 2015), editing my piece on ReWilding Modernity for HA & L

Ignazio Nighttraveller Gazzola (1998 – 2015), editing my piece on ReWilding Modernity for HA & L. Note the look of exasperation.

I could enumerate what I’ve done here, and how I helped change the landscape (being a founding member of paved, teaching at the U of S for 10 plus years, my five year tenure as BlackFlash Editorial Chair and my long history of ARC board membership are just a few): but I have no interest to do so. I feel my real contributions have been how my writings on art have been published in nearly every issue of the Planet for more than the past decade, and I can’t remember if I’ve just broached 8 or 9 years doing the radio show with CFCR 90.5 FM (support them, visual arts community, as they’ve been extremely supportive of you all, in various forms). It has been mostly a joy: the latter was entirely volunteer work, but allowed for personal and public conversations about art and site that helped broaden this community, and enrich it.

I could also burn quite a few bridges, but again, I have no interest to do so: many people here within the visual arts community and beyond have been wonderful, and I count them as friends, colleagues or respected sparring partners in the realm of ideas and art. The rest may return to their foolishness, “as a dog returneth to his vomit” (Prov 26:11 – you knew a Bible quote would appear in this, I suspect).

I am very sad I will not be able to write about the ongoing Remai Modern and the ideas of locality / internationality that will play out with the new Chief Curator, as a further exploration of my recent conversation with Gregory Burke about using the Emma Lake model of bringing the world here.
Or perhaps my nearly two decades here will be put to use in speaking about that in the larger national and international narrative: my time here has marked me, and perhaps I’m like that palimpsest that is so often used as an analogy for here, and it will continue to surface and inform who I am, and what I do.
I’m posting this now, a little while before my leaving, as things are moving forward quickly, and my thoughts are already elsewhere: but it seemed appropriate and necessary to say goodbye.