There are facts that sometimes are quite banal but carry the weight of a blow to the chest: such as considering that I launched this blog over a dozen years ago, and that it has continued to grow and change along with myself and the places I’ve lived in. In light of that, it seemed like a good idea (or perhaps, if I may quote one of my favourite editors, its an aspect of my overly introspective self) to engage in some redesign and re evaluation of what should still be online, and what can be archived and removed, for posterity.
In light of that, I’ve updated The A Word to be almost exclusive to my ongoing time in Niagara, which is fast approaching two years. I’ve removed a number of posts that included radio conversations centred on when I lived in Saskatoon, and also several reviews of the same ilk. However, it seemed important to leave, at least for now, a few posts of significance: specifically one that highlights the ongoing institutional racism at the University of Saskatchewan (as it had a hand in my leaving that place, as it is acceptable to criticise others, but not the racists within “our” own party, comrade), another that highlights the bullying cowardice of aka artist run and several others in the community when called to account on exploiting artists and not paying them, and another about a controversial series of events as regards public art in Saskatoon.
What that means as any other links are gone: you’re welcome to contact me, as radio shows are archived. However, it seemed time to move on, and to remove the last vestiges of that site at this site, hah.
As a further update: there will be an upcoming review of the current exhibition at NAC, Pile On, and I’ll be finishing off and publishing a few things over the Summer of 2017. These include a further review of Anna Szaflarski’s LTTE publication (you can listen to her latest podcast here), as well as a longer review of Philip Monk’s award winning book Is Toronto Burning? : Three Years in the Making (and Unmaking) of the Toronto Art Scene.
Perhaps the most appropriate external factor as it relates to how I’ve removed much of the #YXE coverage from this site is that in 2018 Art From The Margins: New Perspectives on the Visual Culture of Saskatchewan (McGill University Press) will be published. The chapter I contributed to that book focuses on my role in that community over the nearly two decades I wrote about art there, and contributed to the larger cultural community. I’ll be sure to share links to that – and perhaps a teaser PDF, even – when it hits the shelves.