What About Rodman Hall? A Recap: So Far, So What?

As we approach the Fall of 2018, and some decisions have apparently been made, some of which have been made public, many of which have not, I decided it was time to consider re visiting the ongoing relationship, it its deterioration or denouement, edit as you will, between Brock University and Rodman Hall Art Centre.

To facilitate that, I’ve made all of the articles (my lord, I didn’t realize there were so many) available here, on my own site, and created this post as a gateway to everything you need to know (that I’m able to share at this time, as many of you know there’s more, and know more, than I’ve been able to share, but may yet do so, in the Fall…specifically how some staff have been treated, and the pharisees at Brock, who say one thing and do another, in that sphere).

These can also be found at The Sound, but more light on this situation, more availability and information, is always good, especially to counter some of the past actions and attitudes from Brock University on this issue.

Some links are still external, and if these don’t work, just message me, and I’ll correct them.

It all started with an exhibition at NAC which I speak about here.

Not long after that show opened, I spoke with the consultant in question, Martin Van Zon, from Interkom Smart Marketing, on the air on CFBU, as part of the ongoing show I produced there, Niagara Voices and Views. That conversation can be heard here.

The first article was a teaser to direct people to The Sound’s website for the longer series, and was the only one from the initial series to appear in printed form. As the four evenings of consultations happened over two weeks, at the beginning of a month, it made more sense to post the series online, as they could be more relevant, in terms of immediacy of the events, and also for ease of sharing. At this time, too, the Facebook group that would eventually lead to the Rodman Hall Alliance was forming, so online seemed expedient for that, as well.

The second, third, fourth and fifth chapters, all dealing with the Interkom consultations, are at the previous links. There’s two more chapters, that focus on the Barlow Report and the presentation that Janis Barlow gave, at The Masonic Temple about the report and proces, that can be found here and here.

There was an update that came much later, which was more like a chart, with an image provided by Brittany Brooks. This was in response to the Rodman Hall Coaltion consultations in late 2017.

I’ll be resharing these links on my various social media spaces. As always, any who feel that they have information they want to share with myself or The Sound, regarding this issue, please contact us as you feel most comfortable. If necessary, confidentiality will be respected, as I’ve been happy to do all along this series.

As I have promised / threatened, a further update, perhaps where I offer some things I’ve known and have been reluctant to share but am feeling must be put out for public consideration, will be coming in the Fall of 2018.

About Bart Gazzola

Bart Gazzola has published with Canadian Art, Galleries West, FUSE, Hamilton Arts & Letters, BlackFlash, ArtSeen, ti<, Long Exposure and Magenta. Past curatorial projects include REGION (Contemporary Saskatchewan Painting) and Personal Geographies (an overview of The Photographers Gallery collection). Gazzola was Editorial Chair of BlackFlash Magazine (3 years), and was the visual arts critic for Planet S Magazine. He held the latter role for more than a decade, publishing reviews about Saskatoon visual arts and the larger community twice monthly. He's a frequent contributor to The SoundSTC and is the facilitator of the 5 x 2 Image Makers Conversations, through Rodman Hall Art Centre.
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