Now that the clamour around July 1st (I like to call it Dominion Day, still, but I’m an unreconstructed historical bastard) and the immediate demonstrative sesquicentennial of Canada is past, many of us are looking at the anniversary year of 2017 – 2018 as an opportunity to explore, examine and perhaps redefine the narrative of Canadian history, and where / how Canada fits within larger historical arcs that shaped – and continue to influence – this country, with its founding “nations.” That’s a good place to begin: the idea of the “two solitudes” espoused by Hugh MacLennan has ceded to a “nation to nation” idea that acknowledges the many who were here before 1867 (and here now, still). At the same time, a favourite joke I heard this summer was that if you think Canadians apologize too much / too easily, ask them about residential schools…
That is something to keep in mind when you encounter the next exhibition at Niagara Artists Centre (NAC) which opens on Saturday, September 9th. If you’re familiar with artist run centres, you know they generally schedule exhibitions far in advance, sometimes shifting them around to better serve either party, but also to allow for connections to the larger Niagara cultural space wherein NAC exists and interacts. So that the exhibition Where the Weather Happens is the first exhibition by NAC, in the sesquicentennial year, is appropriate synchronicity.
Where the Weather Happens, a group exhibition co curated by Amy Malbeuf and Jessie Short features the work of Jason Baerg, Jaime Koebel and Sheri Nault. You might be more familiar with Malbeuf’s artistic practice, and Jessie Short is a past Director of the Aboriginal Curatorial Collective; the ACC has facilitated and fostered a number of Indigenous curators and artists across Canada, sometimes through exhibitions, conferences or partnering with other groups. A proud moment during my tenure as Editorial Chair at BlackFlash Magazine was literally handing over an issue to the ACC, no oversight or limits, that coincided with their symposium in Saskatoon. Malbeuf’s multidisciplinary practice has been exhibited nationally; she’s received a Lieutenant Governor of Alberta Emerging Artist Award and a William and Meredith Saunderson Prize for Emerging Artists in Canada from the Hnatyshyn Foundation. Short is also a writer, but is perhaps best known for her filmmaking and curatorial practice.
The three artists that will comprise Weather are a diverse, contrasting mix: the one whose work I’m most familiar with is Jason Baerg, whose solo exhibition / performance was at the Mendel Art Gallery during my time in Saskatoon. Baerg identifies as Cree Metis, and describes his works as “[formally] he pushes new boundaries in digital interventions in drawing, painting and installation.” Another past exhibition by Baerg worth considering was titled Kimowanihtâwak, ᑭᒧᐊᐧᓂᐦᑖᐤ, S/he Makes It Rain, which in the words of curator / writer Amber Anderson asked “Who gets to be the author of history? Who does history represent? Who is underrepresented? What are we proud of? What should we be concerned about?” All significant points to consider amid #canada150.
Jaime Koebel and Sheri Nault have not, to my knowledge, exhibited in Niagara before; their sharp and considered voices will surely expand the debate about histories, whether in a local or national theatre. Koebel is an Otipemisiwak (Métis) and Nehiyaw (Cree) artist and Indigenous arts animator originally from Lac La Biche, Alberta (and the recipient of the 2014 OAC Aboriginal Arts Award, as an emerging artist) whereas Nault is a multi-disciplinary artist of Métis and mixed European descent and member of the collective No. Is a Complete Sentence. Nault is finishing her MFA this summer, and “her art practice and research are grounded in queer, feminist, and Indigenous worldviews. Through her work she strives to elicit a sense of social and ecological responsibility to one another on a damaged planet, exploring the connections between humans and nature.” These interrelations between different peoples and the places that define those relationships are also relevant in the artwork of Koebel: she uses her intersecting roles as an artist and teacher “to facilitate learning about social, political and cultural issues from an Indigenous perspective…Jaime’s traditional and contemporary art practices include Métis beadwork, drawings, ink on drums, and fish scale art….[Koebel] and her three children perform as Jaime & the Jiglets, a Métis dance group that entertains and teaches through stories and audience interaction.”
I’m tempted to offer a somewhat humorous take on my expectations for this show, another fine example (like Twenty Three Days at Sea, last October) of NAC bringing artists from wider communities into this one to expand the conversation. In Canada, the perennial conversation is about the weather, and it’s both a literal and metaphorical term for place, and who “we” are, or are not. Where the Weather Happens opens on the 8th of September, at NAC, on St. Paul Street in downtown STC.
The image to the left is After winter // signs of life (1), pastel and drawing paper, from 2016, copyright of the artist Sheri Nault