#artcriticfromhell | arts writer & curator | I take pictures of what's left when the world ends
Brendan Fernandes’ Philia may be the most moving, the most evocative and disturbing art work I’ve seen, in recent memory, and it made me rememeber how there is “no point when “then” stops and “now” begins.” An amazing initial artwork, from the Rodman Hall Collection, to start off Assistant Curator Emma German’s year long series Up Close and In Motion.
Your intrepid #artcriticfromhell delves into film criticism (not a new space for me, but one I revisit now and again) for two films that offer different attractions. One lampoons – or realizes – the contemporary art world, and another indicates that realism is not so much a genre, as an attitude.
A playful map responding to the Rodman Hall Coalition Consultations in late 2017.
An exhibition about “women taking up space” that, in its latest iteration in Rodman Hall, is the best installation I’ve seen of a show that mixes politics, aesthetics and history.